In Sequence In Memory A Short Term Effect
By Xochitl Vinaja
A moment is the smallest unit of time. Indivisible as a prime number - a human
moment lasts 1/18 of a second. Time passes, recognizable only in the extended
stretch of past or future tense because I cannot count in eighteen-tenths of seconds
but only in minutes and days, weeks and years. I find myself a chronophobiac,
terrified by the passage of time: by the loss of the past and the potential of the
present. Terrified because it is always with me: holding me by the hand, and chasing
behind me as I run to catch up with it and to leave it behind. I blink my eyes. My
eyes blink. I don't know which comes first (recognition is only a series of tiny
impulses between neurons). Sensory impulse, sensory receptor, nerve impulse, muscle
response, a circle - action completed. My eyes blink in time with my thoughts -
thoughts that are a barricade to emotions, that fly through my head intangibly,
leaving my feelings jumbled in irreconcilable impulses of speed and complexity. I
isolate their movements; break them down into flashes 1/18 of a second long so that
I can see what exactly it is I think when I am with you.
I squeeze your hand. I gasp, desperate for a break from the relentless struggle with
time. My fingers close around fingers they have touched before. My skin recognizes
yours. I know you only in memory. The moment elusive, fleeting, gone - with each
movement I remember the last time as I compile a scrapbook for the next. I lay down
next to you and your hand covers my shoulder blade, barely the size of your palm,
and massages my back, "You're so tense." I begin to relax with the reallocation of
your finger tips. This is not the first massage. You are always gentle. I am always
tense.
***
Memory is in your muscles - aerobic respiration wearing long and hard on cells too
small to recognize the solitude of their existence; each designated for a special
task, incapable of defining its relationship to its compatriots, as I am unable to
define my relationship with you. The rational mind is merely an amalgamation of
simple, bestial, cells lacking any sense of self. Men unable to grasp the intricacy
of their existence, the simplicity of which essence is constituted - a naturalist
perspective on evolution leads somewhere back to fungus. My brother is a mushroom,
and I am only a matter of phylogenetic steps from a small, primitive crustacean.
"We're friends, right?" you ask. "Yeah," I hesitate, "its complicated." What am I
doing here? My motivations are reproductive. I am trying to pass on my genetic
sequence. My cells find your DNA evolutionarily compatible, natural selection
stripped down to its barest element - intuition. I let go of your hand, mine slides
down to your knee. Consciousness exists after the fact. The true actions of the
human mind are as unconscious as those of the cells which compose it. Command is
an afterthought. Control, a waste of time. It is absurd to challenge nature with
desire.
I want to show you all the things I have seen, take you everywhere I have been. My
thoughts pass through organs - your skin accepting my memories and dreams. Your
flesh responding with yours: "What a lovely inflorescence," I think. "Look at the
huge flower. It's really beautiful." your skin replies. I don't want to tell you
that what you see is no flower, that it is a modified leaf and what you think is
pollen is really a million tiny flowers packed together in a tight spadex. I don't
want to ruin your moment. In the 3/18 of a second it will take me to explain it to
you, the beauty will be lost on you. You will remember only "huge flower", maybe, if
at all. I don't want to confuse the memory. I wish that you would remember
"beautiful". I forget the transparency of our tissues, how our souls are united when
we touch. For a moment you draw close, breathe with your body next to mine and then
pull away - reactionary.
I love you - a drug addict. Your world moves in slow motion, capturing images and
thoughts only in multiples of days. Your minute is slower than mine because less
happens. I envy your waste of time, it takes up less of your life. I pull you back
in. I love you from distances...1/18 of a mile apart. Separated only by doors and
steps that do not welcome me, and welcome you only in reverse. In the three years
that we have known each other, I have seen you naked three times. Touched you only
twice more. My skin remembers what my muscles tell it it knows. The receptor to your
impulses, I respond to your cells as I respond to mine. Unsure of the control or
origin of impulse, aware only afterwards of the response. I wish I could feel this
in slow motion. I expect my body to forget you, but without my conscious
recognition, my responses are more acute every time, as are yours. I worry that I
waste what is left of your brain cells. Do your muscles even perceive the difference
between me and Ketamine? Is there one? Can one suffice for the other, or is it
linear, vertical and affected by gravity - Ketamine at the center of your universe.
The seconds pass slowest when I am thinking about you. I wonder if you really
thought that flower was beautiful. I wonder, would you have said the same about me.
Would you remember only a girl? I want to feel each 1/18 second moment, but they
pass too quickly to grasp, and I wait to look back as I sit on the verge of what
will be. You know me only in this moment, it is not too fast for you. I think I
should do drugs too. I have tried. The thought fades, and I am asleep in your arms.
Opiates don't comfort me the way that you do. Tomorrow I will not speak to you. The
day after you will not speak to me. And months from now we will speak to each other
- an unheard, mutual verdict. In between these moments I will think of you. Wait for
you. Wait for myself. Responses only ricochet off walls and fall flat. Deaf hardwood
floors receive them and drown them out like stomping over the heads of those below.
The words passed on to neighbors and friends but never to each other. I am left
questioning myself, and then I question you, myself again - I am left with doubt
and hope. Held together in unsound matrimony. I remember I love you. You remember
the sex. There will be mascara staining my pillow tomorrow. Mascara never seems to
wash out.
There is a spot, on the floor in your bathroom where we once sat. I rubbed your
back, your head bowed over the toilet. "Everything will be ok." What will you do
when I am not there to hold you? Do you need me at all? Do I need you? The questions
resound unanswered in my skull. Absorbed by trenches of bone, warm beneath muscles,
blood, and skin. My hair only an accessory.
Do you know how I listen attentively as you rehearse? The sound a regurgitation of
memories through the floor boards and walls stained Navajo white by your hand only
months ago. The bass resounds in 4/4 time, a testament to sexuality and the remains
of a long forgotten favorite - like a childhood memory of ice cream that fell off
the cone leaving only a cold, hard cock in it's wake. I hate you for playing the
songs you've played to me, only the combination of our heights apart. For a series
of moments I wish I had never quit smoking. You will walk past my door as you return
to your room (clock it. 1/18 miles apart). I stand still and hold my breath and the
dragging of your feet mingles with the tiled floor. Goosebumps. Time stands still
for 1/18 seconds - I feel the moment pass, and you are gone. The anticipation of
your final song...always the same, my favorite. An elaboration, I think, but I am
willing to elaborate to believe that you love me.
Tomorrow I will wake up alone. I do not snore. You do sometimes. I cannot tell that
you are not here. I feel only calm distortion of memory. Unsure whether that kiss
was only a dream, you have told me many times that I am crazy. In the mornings I
think you may be right, inaccurate releases of melatonin from my pineal gland
possibly indicating schizophrenic tendencies, exemplified by my inability to
distinguish between my dreaming state and the rest of my time. A shower and a cup of
coffee later, I remember the truths of our relationship, it's complication, and I
assure myself that I am not insane but maybe you are. An imbalance in the release of
hormones in your cerebrum may be causing flashes of uncertainty in your emotional
range. Incorrect release and absorption of serotonin causing the unnecessary anxiety
attacks that characterize our relationship, resulting in outbursts of "I don't want
to be your boyfriend!" and "You put so much pressure on me!" and "Why are you
ignoring me?!" I wonder if this is you talking, or if it's just because you're
fucked up right now.
Despite reassurance that I do not suffer from any mental abnormality, genetic or
otherwise, I resent your accusations of my insanity. Each allegation of my psychosis
accompanied by disparaging remarks about my social skills that are either insincere
or at least fictitious. I can't stop thinking about you. I wait for time to force me
to action, afraid to encourage or to dissuade you. My body lays still, perceptibly
detached, next to you. Your hand falls from me. You leave the room. I stare.
I wonder what you were like before all of this. If I would still love a sober you
that I have very rarely seen (except for in bed in the mornings or the day that we
built a river and you taught me to sail leaves under my breath). You tell me that
you do drugs to be more like me, to see the world the way that I do. I don't want
you to see the world like me. I fear that the images reflect backwards off of my
retina, and maybe I am seeing the world upside down, without the proper alteration
in interpretation of my post central gyrus, where the retina mirrors the world in
1/18 second still shots of life. Still shots and profiles.
There is beauty without movement. That is the root of nostalgia - in memory there is
no movement. There is only the imprint of movement that fossilizes into a solid
past, a photograph, confirming only what was once, for 1/18 second, out of the
context of hours and days, omitting the pressure of prediction and anticipation. It
is impossible to live in the moment because it is liaison to the past, and always
too close to the future. Time is an intersection, and you can't stand on the corner
forever no matter what you want. I dance to forget. I drink. I attempt to find in
sleep and dreams what I cannot find in the passage of time. I want something to
happen. I want you to take the next step. I have measured time out to a standstill.
Afraid to lose in motion what I can lose effortlessly with time, I give you up, let
you go and decide to remain distracted. I wonder do I really even love you now.
Maybe everything has changed in that 1/18 of a second it took me to blink.