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UNDERGROUND VOICES: POETRY
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MATHER SCHNEIDER
Bananas After crossing the border at Nogales we can breathe again. Driving home through Arizona her Mexican divorce papers in the glove she holds tight to me and to the promise of making money like two porpoise-dreams pulling her through a river of uselessness. She’s small and dark and lovely and kind, and we can hardly speak to each other but it doesn’t matter. So what if love is a lie where we agree to meet? She feeds me pieces of banana with her little terra cotta fingers and laces the air with a silver-toothed smile and tosses the greasy yellow peel out onto the hardpan shoulder of the highway while I drive under the raw Sonoran sun and butcher my Spanish to tell her what I think is important in life, which doesn’t take long: letting go of shame. We have agreed, we have decided, we have been swept away while letting ourselves, and we have, somehow, slipped through. Scooter She’s thirty six and ugly as a gargoyle every bad gene imaginable funneled into her like green beer into the mouth of a slut and here she is in my cab with her Tom Selleck mustache and her wine barrel figure and her arthritis and excuses and her peroxide blond hair frizzy as death by chair and her bound-sausage feet and Micheline Man legs and two-ham ass and blood-blossoms of acne mixed with cheap make-up like strawberry icing on her foul cake face. She rolls the window up and lights a smoke. She hasn’t had a job in fifteen years just lets other people take care of her like me giving her a free ride home from the doctor because she hurt her foot walking to the bathroom. All the way to her government-subsidized house she bitches because nobody will give her a free scooter... And when I get close to her house I miss her street accidently (I’ve never been there before) and I have to stop and turn around she snickers and snorts like I’m the biggest idiot loser ever to limp across the piss-poor earth. |
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