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UNDERGROUND VOICES: POETRY
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MICHAEL SARNOWSKI New Hollows Under the lights and sweat-soaked haze of the stage the rock guitarist removes his shirt, reveals a rehabbed frame that the crowd looks at with curiosity, as if running inventory in the neighborhood after a riot. They look for the miniature sewer covers he had opened in the crook of his arm, unsure if what they were looking at could really be considered healed. At his worst, a journalist somehow caught him for a candid conversation in a small, undecorated Italian apartment, his eyes the only remnant of the person he was. Face drained of color, skin pulled taut into the new hollows of his body. When he reflects on this time, he won’t remember the interview happening, or how long he had spent in that apartment with the curtains tight over the windows creating new shades of dark. In between his searches for higher highs and trouble with turbulent lows picture him shirtless out on the balcony, with the veins in his arms at attention like basic training posture. Then, cradling the air like it was his paint-chipped sunburst Fender Stratocaster, conducting the birds, inviting them to be his chorus. This is the kind of self-destruction that he preferred. It made him feel like creativity naturally blossomed in his blood, even though his arms are limp at his side, swaying in the Italian night, catching wind of fermenting casks from the vineyards. Years later, long after the interview had reached American television, now that he regained some weight and a sense of how little control he had, he takes a guitar in his hands like it were the awkward limbs of a baby bird. It takes some time for him to get back his chops but he plucks and bends, lets out a gentle chirp that reminds him that as long as he’s playing, he’s alive. Michael Sarnowski earned his MFA in Creative Writing from Vanderbilt University, where he was a recipient of The Academy of American Poets College and University Prize. His poetry has appeared in The Adirondack Review, Foundling Review, The Honey Land Review, The Broken Plate, The South Wing, Tabula Rasa, and in an anthology by Write Bloody Publishing. |
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© 2004-2010 Underground Voices |
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