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UNDERGROUND VOICES: POETRY
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FRANCIS RAVEN Labor Day 2010 It’s difficult to express how OK everything is When we have to go to the hospital, but focusing On the fact that you’re going to play soccer And be mean and sometimes steal things Turns what would possibly be totally emptyingly depressing Into merely the most annoying month in the history of me. We spent it with nurses. We learned how to change your diapers With our hands stretched around cords And through the portholes of a plastic isolette. We negotiated various methods of feeding, none of which appeared to be correct But which got us through in their supple ability to distract us. It was like listening to music, something which didn’t really seem appropriate In the hospital, but which I missed more than I thought I might. It was silent and there wasn’t much to do. This is just a description, but it might be similar to your experience And if it is, it has been said that it will help you get through. It will help bring closure. Closure will occur when you come home And life is allowed to move again. Closure will occur When life Is less closed. Historical Materialism for Noah I grew up with dogs and linoleum, a stove unfolded like it was a piece of technology. I think they would have called it egg-shell blue at least in the places it wasn’t stainless steel and stained anyway. We removed the burners and the pots fit in a large uncomfortable pile. You will have a different childhood than me. This is, among other things, all sadness and grace. Among other things, possibility, the root of hope and despair. The root, but not those things. Those things will emerge depending on how you feel the pieces, on how you put them together. They will be like Lincoln logs. You can build a cabin. I never did. A cabin is, at least, like everybody else’s cabin. I’d build something unjudgable and singular. I would laugh. Have you even heard of a cabin? It was how old-fashioned nature lovers lived when I was little. At the time of your birth they live in yurts or shipping containers placed end to end in the forest’s beckoning. There is an overwhelming urge to explain myself, but I’m just a person and don’t understand that well. There are just these things, these actions, passing by. We know your soul from those. That’s a belief of mine. I’m sure it came from some way of living, of watching. I can see you starting to watch. Here’s what they were like, a little bit. Your people were warm and they didn’t like chaos. My parents are unrepentant optimists. Negativity was something that was learned out of me. I wanted to say that I wanted you to have good balance and then I wanted someone to think that I meant it spiritually and then I wanted to correct them and say, “no, like I want him to be a tightrope walker.” This is all to say, of course, that the way we have done things will not be the way you will do them. What’s weird to know is that even as things are done all over they are outdated, becoming so. Francis Raven’s books include Provisions (Interbirth, 2009), 5-Haifun: Of Being Divisible (Blue Lion Books, 2008), Shifting the Question More Complicated (Otoliths, 2007), Taste: Gastronomic Poems (Blazevox 2005) and the novel, Inverted Curvatures (Spuyten Duyvil, 2005). Francis lives in Washington DC; you can check out more of his work at his website: http://www.ravensaesthetica.com |
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