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UNDERGROUND VOICES: POETRY
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ROBERT LAUGHLIN Mortality and ‘Cue A new city and seven ‘cues in the Yellow Pages. Simple: go to a new one every night this week. The thrill of discovery conveniently marries the dictates of the carbon cycle. I drive into the Wednesday joint’s parking lot with my window rolled down. It smells right; pit-launched atoms of ribrisken and burnt hickory anticipate the slower oxidation of my GI tract. The joint is crowded, always a good sign. Under the shadowless neon light I see lots of cars, pickups, motorcy— A hearse?! It’s really there. Well, I think, the food must be so good it’s nullified the order of nature; the customers keep coming back even when they’re dead. My overactive fancy drags me to this vision: standing at the counter, in his still-pressed burial suit, the pasty, dull-eyed corpse of a regular. “I don’t care if my veins are full a embalmin’ juice. Gimme a slab a ribs to take out to the maus-o-leum!” The cars behind me screech and honk when I zoom into the street, backwards, and make for the Tuesday joint. Ann Beattie What can one say about a writer whose characters have orgasms in lowercase letters? |
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