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UNDERGROUND VOICES: FICTION
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WILLIAM HAAS
Bruised Ouch, Sammi says, as I grab her bruised wrist.
She can’t wiggle away. I crush her against the dusty aluminum siding like an Come on, baby, I say on her doorstep. Let me inside.
I press my lips to hers, squeeze her in a sloppy kiss. She fumbles with her keys
Slow down, Julian, she says, looking up all shy at me. But I don’t listen.
You wanna hear some music? she asks, sliding out from under me and How about the Meters?
She drops on ‘I’m Gonna Put Some Hurt On You’ then sits down beside me, Chase, she says, has been bothering me day and night. Chase, I think, that Fubu-wearing creep. Didn’t you two break up? I ask.
We weren’t really going out, she says. I came here for school but he stayed in I look at the answering machine, red bulb blinking like a paddy wagon. He’s such a stalker, I say. Keeps calling. He’s a slow reader, she says.
She should’ve had enough self-respect not to get caught up with a back alley
Did he hurt you, Sweetheart? I ask, caressing her wrist above the tender bruise.
Don’t sweetheart me, she says, pulling her arm out of my grasp. Chase is my He’s still an asshole, I say.
Look, I don’t want to talk about it, she says. I’m leaving town anyway. I’m Who cares where she’ll be in a year? I just care about tonight.
Why’d you drop out of art school? Sammi wants to know. As if I could even I liked your paintings, she says. Hasty, yes, but they had a lingering presence.
I kiss her again to shut her up. Her tongue’s sweet, a memory of Triple Sec and
Don’t answer it, Sammi, I say. I slide my finger past her underwear, over a
Not so fast, Cowboy, she says and grabs my wrist. The phone’s still ringing off My time, too, baby. Of the month.
And that’s it. At least she doesn’t answer the goddamn phone. She’s gripping
You’ve reached Sammi’s. Leave your digits and I’ll get back to you. Leave it be, I say.
Why do you do this to me? That panty waste whines from the machine. Sammi pushes hard, stands up, and lifts the phone out of the cradle. I’m here, she spits into the receiver. Chase, why do you keep calling?
She turns her back, so I can’t even admire her tits lift and drop as she exhales
I look around the tidy room. It’s amazing what she can do with a couple cinder
Chase, Chase, Chase, no. I didn’t go over to Julian’s. He just walked me home.
She’s pulled her blouse back on and lit a Newport. Again I notice that violet
Hasn’t stopped drizzling, just pissing out the plum sky. Might as well roll
My jacket smells like wet cardboard. My Sauconys are soaked by the time I get Chase was in here looking for you, he says. That dude’s come untangled. I just smile and hope he remembers me leaving the bar with Sammi. Watcha drinking Tommyboy? I ask. Knob Creek. Two Knob Creeks. I toss down a twenty. On me, I say. Cheers, he says, tipping his glass. And your change. Keep it.
Thanks, he says. Tell ya what. Get that lousy drunk out of here so we can blow Gotcha, I say.
I swallow the shot. I realize I’m fucking blitzed when the whiskey doesn’t even Last call was twenty minutes ago, you greasy vagrant. Soon, the dirty drunk says. Both his teeth are dabbed in yellow. You heard me, Lambchop, I say. Leave.
His purple eyelids close over yellow corneas. I throw him off the bar stool. The
You remind me of me, boy. His voice has the timbre of an unoiled
He clocks me square in the left eye then flees in a drunken stutter step. For a Lock that door, Tommyboy says.
He draws two tall Rolling Rocks from the tap and cuts out two fatty lines of Thank you, I say. Least I can do. You’re gonna have a black eye tomorrow.
We snort the uptown. Straight to my head and I’m clear as Brita water. He
I’m about to throw my carcass-black eye, bruised ego and all-on the couch, The fuck are you doing here? I ask.
He pulls out a half-empty bottle of Mad Dog and chugs at it, leaving a
Yo dawg, Chase begins, hiccups, swallows and begins again. The fuck happened Got suckerpunched by a bum. Chase laughs and asks, You looking? Spent my last coupla bucks down at the Four, I say.
I thought you was down at the Four tonight, Chase says. Too bad you ain’t got
He pulls a little Zip-Lock from deep in the pocket of his South Pole jeans and
Yellow, he says and snorts it through the Lincoln memorial. He continues,
Just trying to save up a little money. Maybe get out of town, move to Bling bling. Chase, I say, I need some sleep, man. It’s raining, dawg, he says.
That repugnant motherfucker takes another slug from the Mad Dog and Don’t you got anywhere else to go? I ask. Sammi locked me out, he says.
He must’ve showed up at her place crying and she told him to bounce. Wonder
Have you ever loved a woman, Julian? He asks, cutting another line on my Don’t know what you mean, I say. Not a bitch, but a woman? He says. Cause I have. In fact, I’m still in love. That’s nice, I say. Is it now? Guess so. Course you would, he says.
The shriveled fucker swallows some more swill and slams the bottle on my
What were you doing tonight in the Four? he asks. He won’t stop staring into Just drinking a couple beers and chilling, I say. With Sammi? Saw her there.
Don’t feed me no bullshit, he says. You left with my female, didn’t you? That’s not fair, my friend, Chase says. Not fair to walk a lady home? A lady? That bitch? He stands up and says, Unfair to me, dawg. You feel me? She doesn’t belong to you. Chase overturns the table and shoves me to the ground.
I’ll show you property, motherfucker, he yells. I’ll put my chrome to your
He lifts his jersey to reveal the white pearl handle of a nine millimeter. He
Frightened, I look down at my hand. Sammi’s blood’s crusted under the I’ll show you property, Chase says, as he wraps his fingers around his piece. William Haas lives in Portland, Oregon |
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© 2007 Underground Voices |
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