UNDERGROUND VOICES: POETRY
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ROBERT BOHM
The Novodny girl back then One time she hid behind the group room’s bookrack and another in a lavatory stall, always someplace where invisibility, like crabs in the down-there hair, seemed possible. Then she did it to herself while sighing and thinking thoughts too complicated for anyone to guess. Her mind was the Milky Way, light-years beyond chipped beef on toast in the lousy cafeteria. She was a bear hibernating in a snow-blocked cave as, nearby, lake-ice creaked at the bottom of the hill in her head. Masturbating, for her, was a lifetime occupation. The wind hummed in the trees as she floated, a wisp of smoke above the steelmill at the town’s north edge. But escape didn’t happen. The officials found her out, removed her clitoris and taught her how to pray. According to what one patient told Matthew’s aunt, Nurse Wukoski, doctors took the sawed-off little penis and placed it in a box, which afterwards they periodically opened, so other disobedient inmates might know where the trigger of the joyful Luger goes when the lights blink out. Legacy In childhood by the barbed wire fence, an act of violence. A stranger, passing in the night, strangled to death an iris’s scent. Under an apartment window, his cigarette flickered, a signal to no one of absence’s arrival. That night, a woman, unaware of eyes browsing her hair, slept while in her dream wolves howled long ago in Idaho. She awoke in the Brass Rail Bar on the corner. “Mommy, let’s go home,” her daughter begged. Where is the strangler now, where the sleeper? And if she returns, what kind of noises will she make, a human’s or a blackbird’s? Once Bill Muller thought he saw her walking near the gully west of Stensen’s house. On the wall above my kitchen table hangs a picture of her daughter. I cut it from a milk carton a long time ago. Aquarium All day the guard, overweight and with a mustache, tells visitors how yesterday one of the sharks died and had to be removed. Now he laughs, “Your shoelace is orange” to an old lady, her elbow held by a middle-aged man with a guitar tattooed on the back of his right hand. It’s almost closing time and the dark outside is the color of the car grease under the man’s fingernails or of the print in the book he found years ago under the drillpress in the humidifier factory where he used to work a few miles to the north. As he turns away from the tank, he wonders, like every other visitor that day, what the dead shark looked like floating around. Meanwhile, the guard observes everything, how the old woman moves forward inch by inch in her walker while the man with her, maybe her son, looks around not knowing how he got there or where the exit is or even if there is one. The Way Eventually Rejected “. . . we step out from our shores.” -- Marina Tsvetaeva The blackened salmon on the plate at the table’s edge, that’s what I want I say as I wake up on the grass. “You must’ve been dreaming,” Don tells me from his perch on a rock. I blush, knowing that remembering what’s a dream and what’s not is important. Below, the Pacific pounds boulders. The spray, ungraspable as always, is thinner than Auntie Helga’s reveries. I go into the old stone church to pray. Next door, Pastor Green once fell down the stairs leading to his apartment, after which his sister moved in. “Our Father who art in Heaven, hallowed be . . .” The ocean wild below us, Don cuts in: “You haven’t been there in twenty years.” “Where?” I ask. “In the fucking church!” he bellows. “I want my blackened salmon!” I insist. Don shakes his head. “You’re drunk again,” he states disgustedly. Poverty Like everything else, it depends on how you look at it, how your eye grips the stem then crawls up and pries open the petals in search of the delicate stamens within. Fascinated by it, I place the flower in a small water-filled jar on a shelf and watch its radiance ooze, melted butter from a dairy with no name, all over the room. My little flower, the last thing I have left. At least no one will steal it; it’s too imbecilic. |
© 2008 Underground Voices |
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